Bucum Jackson (Cube) is a bounty hunter with a lot of attitude and no interest in taking on a partner. Working at Martinez Bail Bonds, Jackson has unorthodox methods of tracking down low-life criminals, but they work, and one day he hopes to become his own boss and open up his own private investigation firm. Reggie Wright (Epps) is a slippery con artist who is avoiding the law, and Jackson. During a cat and mouse chase, the two stumble on a multi-million dollar diamond heist. Hiding from Jackson, Wright finds himself in the thieves' getaway van and ends up having to escape from them after they discover their booty is fake, much to the displeasure of their ruthless boss (Flanagan). When Wright meets up with his girlfriend (Mendes), he discovers that his recently purchased lottery ticket is the sole winner of $60 million. Unfortunately, his wallet, which held the ticket, was left in the thieves' van, so he persuades Jackson to help him get it back.

Sunshine, an idyllic and almost forgotten island under British rule, is shortly to become independent. But a few days before this event is to take place, the British governor of the island is shot. Her Majesty's secret service is called in and Sam McCready asks Desmond Hannah of Scotland Yard to take charge of the case.

A Russian circus visits the US. A clown wants to defect, but doesn't have the nerve. His saxophone playing friend however comes to the decision to defect in the middle of Bloomingdales. He is befriended by the black security guard and falls in love with the Italian immigrant from behind the perfume counter. We follow his life as he works his way through the American dream and tries to find work as a musician.

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.