Emmanuelle Arsan

Emmanuelle Arsan

Born: January 19, 1932
Died: June 12, 2005
in Bangkok, Thailand
'Emmanuelle Arsan' (her pen name, originally Marayat Bibidh) was a Thai writer, actor, and director, best known for her novel "Emmanuelle: Joys of a Woman" which happened at the right place and the right time of women's sexual liberation. It gave birth to a genre of film with the French series "Emmanuelle" starring Sylvia Kristel and many other Italian knockoffs starring Arsan lookalike Laura Gemser. Despite her very limited experience with the film industry (having a small but important role in The Sand Pebbles with Steve McQueen), Arsan decided to ride the wave and attempt to write and star in her own erotic fantasy film "Forever Emmanuelle" in the late 1970's with a largely Italian cast and crew. Producer Ovidio G. Assonitis had a major falling out with the film's two directors Louis-Jacques Rollet-Andriane and Roberto D'Ettorre Piazzoli, which led to the film being credited to have been "Directed by: Anonymous". This in turn caused speculation that Arsan herself had directed the film.

Movies for Emmanuelle Arsan...

Laure
Title: Laure
Character: Myrte
Released: February 4, 1976
Type: Movie
At an institute in Manila, researchers and eco-tourists trade stories about the Mara tribe, who live on a remote island and have an annual festival of rebirth in which some of the tribe forget who they are and begin again. Laure is the daughter of the institute's director; she's a free spirit who has captured the fancy of Nicola, a European photographer. After a courtship in which the voyeuristic Nick indulges Laure's exhibitionism and sexual freedom, they set off for Mara land with Gualtier, an anthropologist, and his philosophical lover, Myrte. As they approach the Mara on the night of rebirth, who of the group will actually join the tribe to begin life anew?
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The Sand Pebbles
Title: The Sand Pebbles
Character: Maily
Released: December 20, 1966
Type: Movie
Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.