Lisa has grown up in an orphanage. She is looking forward to her adoption, as she doesn't know that her new parents are about to divorce. The Saber-toothed cat which she meets in a museum intervenes as a "feles ex machina".

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

Lily, a stunning photograph model, suddenly notices that hair is growing on her face and escalating to a real "man's beard". Her lover, Richard, who has just returned from a prolonged business trip cannot help her. On the contrary, she is so exasperated that she runs away into the night of the big city where she has her first experiences as a "man".

Caught Feelings is the succinct title of a film which deals with emancipation trends from the viewpoint of young Austrians. Manfred Kaufmann's first film reports on tensions which may arise from the contradictions between collective and individual feelings. He works with subtle and psychologically perfected indications which explain the symptoms and illustrate the reactions. But this film is also a vehement attack on bourgeois feelings and the resulting behaviours. He shows character traits which use masks to simulate emotion as well as those which are ready to remove their masks in order to let feelings take effect. (Herbert Holba)

A historical drama about the revolution of 1848/1849 in the Austrian empire.

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer