German crime film

Drama by Romano Mengon

Based on a short story written by Novel Prize for Literature in 1894, Grazia Deladda, “La Grazia” is a classic Italian-drama that follows the story of the a man (Giorgio Bianchi) who fell in love with beautiful shepherdess (Carmen Boni). Separated by fate, the man had an accident on his way back to his wife. For years, absence of her husband has made the woman suffer. She takes care of her child while waiting for her husband’s return.

Critics of the time called "Milak, der Grönlandjäger" the German answer to Robert Flaherty’s "Nanook of the North" (1922). Filmed largely on location in Greenland and Norway’s Spitsbergen archipelago, the film combines impressive landscape footage with ethnographic observation.

A house in Paris happens to have two families living there with the same last name. In one apartment lives opera singer Gambetta Duval with his two daughters, Jeanne and Nita. In the second apartment lives old lady Duval with her grandchild Philippa and an her lodger, the physician Leon Monnier. Jeanne is secretly in love with Dr. Monnier who is secretly in love with Nita, who is secretly having an affair with the great playwright Armand de Marny.

Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.

Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.

Baruch Mayer, son of an orthodox rabbi from a poor shtetl in Galizia, decides to break with the family tradition and leave the shtetl to become an actor.

During a dinner given by a wealthy baron and his wife, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a vision what might happen tonight if the baron stays jealous and the suitors do not reduce their advances towards his beautiful wife. Or was it a vision?