An actor returns home after a public meltdown. Partnering with his police detective friend, he tries to use his acting experience to solve real crimes.

A young girl is raised in a dysfunctional family constantly on the run from the FBI. Living in poverty, she comes of age guided by her drunkard, ingenious father who distracts her with magical stories to keep her mind off the family's dire state, and her selfish, nonconformist mother who has no intention of raising a family, along with her younger brother and sister, and her other older sister. Together, they fend for each other as they mature in an unorthodox journey that is their family life.

The gorgeous and charismatic Bo is a supernatural being called a succubus who feeds on the energy of humans, sometimes with fatal results. Refusing to embrace her supernatural clan and its rigid hierarchy, Bo is a renegade who takes up the fight for the underdog while searching for the truth about her own mysterious origins.

The life of a group of adolescents going through the trials and tribulations of teendom at Degrassi Community School.

The Canadian contribution to World War Two was extraordinary in scale and variety. More than one million people, out of nation of just eleven million, volunteered to serve. To transform a small, virtually unequipped military into a powerful army, navy and air force was a remarkable achievement. No Price Too High traces Canada's involvement from the prewar years through 1945, explaining the events of the war in the context of the political and military realities of the time. There is none of the second guessing that has characterized so much recent analysis of the war. No Price Too High draws on original sources - personal letters and diary entries, and powerful photographs - to evoke the mood of those momentous years. The thoughts, hopes, dreams, fears, and heartbreaks of the generation of Canadians who faced the war are captured. Produced by Norflicks, No Price Too High chronicles Canada's role in the major events of the war, including The Battle of Britain, Dieppe and D-Day.

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

The murder of a museum curator places art dealer Jack Saunders under suspicion for selling forged treasures to museums. When Jack suddenly dies in a car crash, his wife Adrienne tries to discover what he did on her own. She finds that she knew little about the man she was married to. The more she learns about her husband's possible illegal activities and double life, the more she places her daughter, and herself, in grave danger.

Humanity must resume its war against the Martians when they revive after decades of hibernation following their defeat in the 1950s. The fate of Earth may very well rest in the hands of a small yet courageous band: astrophysicist Harrison Blackwood, paraplegic computer wizard Norton Drake, microbiologist Suzanne McCullough and military man Paul Ironhorse.

Humanity must resume its war against the Martians when they revive after decades of hibernation following their defeat in the 1950s. The fate of Earth may very well rest in the hands of a small yet courageous band: astrophysicist Harrison Blackwood, paraplegic computer wizard Norton Drake, microbiologist Suzanne McCullough and military man Paul Ironhorse.

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

Letting Go stars John Ritter as a widower and Sharon Gless as a lonely unmarried woman. They meet during a group-therapy session. Romance is inevitable, but the road to true happiness is pockmarked by a series of comic complications. Advertised as a straight romantic drama, Letting Go is actually more akin to the screwball comedies of the 1930s, with a strong satirical bent regarding "behavior modification" theories. The made-for-TV film debuted May 11, 1985.