A little boy, named Prdelka, traveled with his father from Prague to the country during the Second World War. There, the boy became friends with a local fisherman and learned to catch the golden eels. Eventually, his father and mother were arrested by the Nazis and the boy stayed with the fisherman.

Little boy Milan is going to visit his grandfather in the countryside - for a first time.

A movie directed by Zbynek Brynych.

Inseparable friends Štěpán and Kendy are students in their final year of high school. When they are in the principal's office after the trouble with the rather scandalous song "On the Carpet", the school principal gives them the idea of ​​rehearsing a theater performance. They decide on Tyl's Forest Maiden in a rather unconventional version - with music, singing, and several unusual props. While Kendy sees the theater as not only an opportunity to enjoy himself, for Štěpán it is a chance to get closer to the charming Marcela Borůvková. What was originally just a student recession soon starts to get out of hand for both authors, not only because of the quirky cast but also because of information in the press, which is taken care of by the father of one of the classmates. The business is gaining in size, and even a television station is contacted, which shows an interest in making a program about the performance. At that moment, the disaster seems inevitable to Štěpán and Kendy.

Ten-year-old David joins a sailing club. He trains hard and helps repair the sailing boats, but people have to take turns actually sailing. The club chairman Vala wants David to sail with his son Olda. Olda's previous team mate Béda has grown too fast, but with little David Olda could win a place on the regatta to Finland. Olda is arrogant and accustomed to winning with little effort; he bullies David and calls him "Greenhorn". He makes David his servant and blames him when things go wrong.

At long last, King Dalimil and Queen Eliška have produced an heir, Princess Růženka. Consumed with envy, Eliška’s sister Melánie casts a curse: On the day Růženka turns seventeen, she will prick her finger and fall into a deep sleep together with the entire kingdom.

It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.

This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.

Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.