The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

The beginnings, development and decline of so-called spaghetti-western genre; with clips, interviews and opinions of producers, actors and directors. A nostalgic look at those movies that are still in the taste of many.

The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.

Secret agent Perry Grant is called in to investigate a strange case which involves counterfeit money, industrial espionage, and a fashion company that may be functioning as a front for a secret criminal organization.

Rod Cooper, an American agent of the CIA, is sent to Paris to discover if colonel Segura, head of a clandestine organization which proclaims itself anti-Castroist, is playing a double game at the expense of the United States. He first tries to make contact with Ms Beckett, who should tell him. Segura's intentíons, but the woman is found killed. Subsequently, Rogerson, another American, presents Cooper to Segura himself and so Rod can enter his organization. Here he discovers that the colonel tries to attract a certain number of Americans to use them in an attack against the president of a state of southern America and thus promote communist expansion. Segura soon discovers Rod's real identity and tries to get rid of him; but the agent manages to reverse the situation and kills Segura in a shoot-out.

Professor Freeman is an important English scientist that is investigating a method to treat cancer. His daughter is killed in the swimming pool of a hotel in Beirut. The case is confidential so that the mission is entrusted to the Special Agent Mikel Brown.

Action - The body of Dr. Charles Berens, Chief of the United Nations Medical Relief Organization, is seen hurtling from the lofty parapet of an ancient church. He has chosen death rather than capitulate to his murderous pursuers. Police chief Colonel Ferrer (Andrew Faulds) arrives in time to hear the dying Berens last words: "July the 18th! The One Eyed Soldiers." - Dale Robertson, Luciana Paluzzi, Guy Deghy

Two married women on vacation decide to see who the better seductress is. When the local authorities investigate the death of a local prostitute, their husbands do what they can to avoid trace of scandal and any implication that their wives are involved. Cracks in their relationships are revealed as is the hedonism and hypocrisy amongst the bourgeoise.

A suave gangster tries to get away from his boss with a suitcase full of heroin. Two pilots and lots of beautiful women get involved in the affair. Soon blood begins to flow.