The year is 1904; the setting is Cockshute Towers, one of England's stateliest homes. When the household is threatened with bankruptcy, both the masters and the servants are prepared to co-operate in trying to find some cash - after all, most of them are enjoying liaisons of one kind or another among themselves, and none have any desire to give up their rewarding way of life...

Accident-prone Gil wants a steady job but is dismissed by every company that recruits him due to his unfortunate habit of ending up in sexually embarrassing situations. His girlfriend Annette says that she will marry him only if he can stay employed for at least a week. Hired by Mr Grimwood's cleaning company "Here To Service You", Gil is unwittingly drawn into a series of bawdy misadventures: sharing a bath with a married woman and getting caught by her husband; having a threesome with a hospital patient and a woman doctor, followed by a foursome with Annette, Grimwood and a woman psychologist; awkward encounters with a gay man and a lesbian; and getting caught by Annette playing strip poker with a group of women. Incredibly, Gil remains in his job and Annette marries him, but before the couple can have their wedding night Gil collapses on the bed and passes out from exhaustion.

After discovering the body of a murdered female agent in their trendy Soho, London nightclub, groovy owners Charles Salt and Christopher Pepper partake in a fumbling investigation and uncover an evil plot to overthrow the government. Can our cool, yet inept duo stop the bad guys in time?

Narcotics agent Dennis goes undercover in the Mediterranean Islands to investigate a smuggling operation, and gains the confidence of a woman who works for the ringleader. But Dennis ends up arrested for murder when the crime boss turns up dead.

An avaricious, ambitious fellow, desiring to hold the reins for a major auto company, must frame someone for murder before he can get what he wants. He chooses a reformed embezzler who works for the company.

Insurance salesman Tom and his wife Jenny are struggling through the first years of marriage in a modest flat, on Tom's even more modest salary. By contrast Drew, Tom's old army pal, is a footloose bachelor currently running a car-hire firm owned by his rich uncle, who lives in Canada. Since Drew's uncle makes it clear that his nephew will only inherit the business when he's a respectable married man, his upcoming visit throws Drew into a panic. Having taken a fancy to the vivacious Jenny, Drew persuades her to masquerade as his wife – an arrangement that leads the trio into some highly complicated situations!

Inspector Duval comes to London to help crack the case of a socialite murdered during a jewel heist.

Max Varnel’s British mystery thriller. After discovering a famous painting is a forgery, a noted art critic is killed by a hit-and-run driver. Starring Ray McAnally, Catherine Feller and Yvonne Buckingham.

British crime film directed by Peter Duffell and starring Bernard Lee, Moira Redmond and John Van Eyssen, loosely based on the 1918 novel "The Man Who Knew" by Edgar Wallace.

An ex-convict who's built a respectable post-prison life for himself as an engineer discovers that a past is a hard thing to shake. When old "friends" contact the former prisoner, it's not long before the gone-straight baddie finds himself being blackmailed into taking part in a major jewelry theft.

Hancock's Half Hour is a BBC radio comedy, and later television comedy, series of the 1950s and 60s written by Ray Galton and Alan Simpson. The series starred Tony Hancock, with Sid James; the radio version also co-starred, at various times, Moira Lister, Andrée Melly, Hattie Jacques, Bill Kerr and Kenneth Williams. The final television series, renamed simply Hancock, starred Hancock alone. Comedian Tony Hancock starred in the show, playing an exaggerated and much poorer version of his own character and lifestyle, Anthony Aloysius St John Hancock, a down-at-heel comedian living at the dilapidated 23 Railway Cuttings in East Cheam. The series was influential in the development of the situation comedy, with its move away from radio variety towards a focus on character development.

The adulterous Mrs Griffiths' corset has, unbeknown to her, a fortune stashed in it by her drunken, money-loving husband.