Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.

Police procedural: tracking a ruthless Chicago hitman who's found a gig in Mexico City.

Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.

Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.

Casimiro, night watchman at a wax museum of horrors, is even more sleepy than his usual laziness makes him - because his boss, the Professor, is secretly draining blood from him while he dozes to use in experiments in raising the dead. These haven't worked so far, and the bodies have been waxened and placed on display in the museum to cover his crimes. His big chance seems to come, however, when he learns that the mummified body of a modern man has been found in an Egyptian sarcophagus. The professor and his two henchmen steal the body and take it back to his lab - where the experiment flops again.

Chofi marry Alberto and very much in love, but her mother continues to intervene in the couple's relationship, which will lead to divorce.

Sequel to Alla en el Rancho Grande, twenty years later -- sons and daughters of the original characters go through a courtship melodrama of their own.

A woman murders her lover. Her husband and his mistress are also having murder-shaped thoughts, and their three counterplots all get tangled together. Everybody loses.

The story focuses in on three young boys who, arrested by the authorities, await sentencing in Mexico City's Juvenile Court. One boy has killed his stepfather to protect his mother; the second boy has been goaded into blinding his chief tormentor; and the third resorts to stealing to support his family.

Alberto Medina is a very famous composer and is on a field trip when his car runs out of gas and goes downhill. While looking for help, he finds the Valverdes' house and is welcome by Emilia, the mother of the family, who is known for giving shelter to tramps. The rest of the family disagrees, because the last one disappointed her. In a story of family situations, funny moments and jealousy, Alberto ends up earning everyone's respect and has a special connection with the oldest daughter, the beautiful Susana, and they fall in love.

Carmela is a Gypsy singer who sells lottery tickets. She meets two penniless Mexican brothers and they buy a ticket between the three: if it is awarded, could share the prize and go to Mexico, they to return to their homeland and her for bullfighter boyfriend whom has no news. The fate accompanies them, but, on reaching Mexico, her boyfriend rejects her. This way, she ends up acting in a cafe where reaps many successes.

Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...

Tin-Tan wants to builds an ice cream machine.