For the first time on DVD, the Alpha Archives Collection proudly presents a two part feature length documentary celebrating the history of the Amicus Productions film company. Founded in the early 1960s by Americans Milton Subotsky and Max J. Rosenberg, Amicus produced some classic (now cult) horror movies, including Dr. Terror's House Of Horrors, The House That Dripped Blood, Tales From The Crypt, Asylum and From Beyond The Grave. Featuring interviews with key individuals who worked for Amicus (actors, directors, etc.), and with many rare photographs and production designs throughout, this documentary is a must-see for fans of British horror cinema.

An engrossing clever film that reminds me of a Neil LaBute film. No one in this film is likable. That's usually the kiss of death in any film, yet the filmmakers are able to make the film engrossing without a strong hero the audience wants to root for. These people all exist left of center, but the filmmakers are able to get the audience to stick with them. Jason Madera is especially strong as Freddy, giving a touch of strength in order to convey that this guy isn't a loser. Well cast and a strong plot, the film took me in to the point that I no longer noticed the low budget and poor sound mix. The score has the right whimsy for the film though. Catch this one, it's a keeper.

Mike Sullivan spends his nights kidnapping runaways so his boss, Lamar, can turn them into prostitutes. He is a crack addict and a thief and he is in love with a resentful prostitute, Rhonda, who doesn't love him back. Although he has aspirations of escaping this world, it isn't until he is nearly killed by corrupt cops for stealing money from his boss that he decides to redeem himself. In an attempt to save his own soul, he tries to get Rhonda out of the business, and is forced to battle Lamar and his henchmen, as well as Rhonda's unwillingness to change. As punishment for betraying Lamar, Mike is forced into a series of misdeeds, and in a shocking ending, must commit unredeemable acts as he tries to save Rhonda and himself.

The evil brother of Richard the Lionheart is holding the king for ransom, and only Robin Hood and his band of merry men can save him...for a small fee, of course.

When Dr. Robert "Sweeney" Todd arrives to fill his post at a new hospital, he is shocked to see the lengths that the nurses go to in caring for their patients.

A doctor fathers 837 brilliant sons through an artificial insemination program, and every woman wants a donation.

An occult criminologist investigates a businessman who dabbles in the black arts while trying to survive against a powerful demon and an evil cult.

Local councillor Sidney Fiddler persuades the Mayor to help improve the image of their rundown seaside town by holding a beauty contest. But formidable Councillor Prodworthy, head of the local women's liberation movement, has other ideas. It's open warfare as the women's lib attempt to sabotage the contest.

The Protectors is a British television series, an action thriller created by Gerry Anderson. It was Anderson's second TV series using live actors as opposed to electronic marionettes, and also his second to be firmly set in contemporary times. It was also the only Gerry Anderson produced television series that was not of the fantasy or science fiction genres. It was produced by Lew Grade's ITC Entertainment production company. Despite not featuring marionettes or any real science fiction elements, The Protectors became one of Anderson's most popular productions, easily winning a renewal for a second season. A third season was in the planning stages when the show's major sponsor pulled out, forcing its cancellation. The Protectors first aired in 1972 and 1973, and ran to 52 episodes over two series, each 25 minutes long - making it one of the last series of this type to be produced in a half-hour format. It starred Robert Vaughn as Harry Rule, Nyree Dawn Porter as the Contessa Caroline di Contini, and Tony Anholt as Paul Buchet. Episodes often featured prominent guest actors.

Five people find themselves in a tomb. The Crypt keeper explains why they are there through a series of frightening stories. Based on the classic comic book.

Women around the globe begin disappearing when a renegade race of top-heavy aliens from the planet Angvia begin snatching them off the streets.

Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea, so when they decide to take them on a holiday to Paradise Camp, they think they're off to a nudist colony—but they couldn't be more wrong, and meet up with the weirdest bunch of campers you can imagine.