Lucía is an eight-year-old girl, who sometimes struggles as the world tries to catch up with the fact that she is trans. As the summer holidays pass, she explores her femininity alongside the women of her family who at the same time reflect on their own femininity.

Vitoria-Gasteiz, Basque Country, Spain, 2019. Two corpses appear in the crypt of the Old Cathedral. Police officer Unai López de Ayala, an expert in criminal profiling, must hunt down the ritual murderer who has been terrorizing the city for two decades.

Jone is a sixteen year old girl that lives in Bilbao (Basque Country) in 2009. In her highschool you can feel the independentist environment, demonstrations, strikes... are usuals between the students organizations. In this moment her dad starts to work int the Basque Government, between other things he has to go with body guards. This situation will change Jones life and she will have to learn to live between two worlds that she doesn't understand yet, and to understand that not everything is black or white.

Unable to fly the nest due to the economic crisis that grips Spain, a penniless, young couple have trouble consummating their fledgling relationship in their parents' homes.

Sonia’s life was perfect at first. Her theatre career is improving and Óscar the man who is having an affair with her promises her to leave his wife for her soon. But suddenly her life descends into a downward spiral of terror when she receives photos of them two being together. This is the trademark of a serial killer who already has killed four women and now Sonia is the next target.

The sexy Gin is the new love of Hache, but this can not forget his former girlfriend, so the love triangle is inevitable.

Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Vaya Semanita is a Spanish weekly sketch comedy show that is broadcast on Basque public television's second channel Euskal Telebista since 2004. It is broadcast in Spanish.

In Madrid, Azu's husband Filipe is smug and boorish, but it's his money she slips to family members constantly in need of cash and that she uses to buy gifts for her lover, Pablo. Things start to fall apart when Pablo wants to leave her and when Filipe wants to evict Azu's cousin from a butcher shop he rents. Azu hatches a plan that relies on her sister, her cousin the butcher, and his mentally-challenged delivery man. When things start to go wrong, can Azu make them right?

Basque Country, Spain, 1980s. In Bilbao, a gray city dominated by political corruption and nationalist terrorism, Charli works as a chauffeur for Oliveira, a businessman engaged in shady deals. Alarmed by a series of threats and attacks, Oliveira decides to entrust Charli with the protection of his daughter Marta.

Itziar is eight years old and lives in two very different worlds. On the one hand, the world of her disappointed Basque nationalist parents and, on the other, the religious school, which gives the girl a repressive and retrograde education. However, there is another kind of world, much nicer to Itziar, formed by the street and her friends.