Two paranoid brothers are consumed with murderous fantasies after a horse convinces them that they are each others’ enemies. Starring Guy Maddin (My Winnipeg, Forbidden Room) and Milos Mitrovic (Tapeworm, Stump the Guesser).

Acclaimed Canadian artist Cliff Eyland looks back on his life after a successful double lung transplant.

A young woman named Savannah Knoop spends six years pretending to be a transgender writer named JT Leroy, the made-up literary persona of her sister-in-law.

A dream-inspired stream-of-consciousness download charting the trace infection lines Trump’s presence provokes in the minds of many.

The explosive story of how a stubborn band of independent filmmakers started a film co-operative that became the most highly respected and mythologized film centre in Canada. Tales outlines the tremendous importance and impact of Winnipeg on the national filmmaking scene. Packed with rare archival footage, dynamic film excerpts, and hilarious interviews, this documentary traces the history of the legendary Winnipeg Film Group. We hear candid behind the scenes stories that illuminate the storied rise of acclaimed filmmakers like John Paizs (Crime Wave), Guy Maddin (Tales From The Gimli Hospital, My Winnipeg) Shawna Dempsey and Lorri Millan (We’re Talking Vulva, Good Citizen, Betty Baker) and Caroline Monnet (Ikwe). Often mired in controversy, the Film Group has been acclaimed at film festivals around the world – attested to by several Toronto film luminaries in the film – for subversive, original filmmaking. This documentary continues that tradition of bold, exuberant work.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.

Guy Maddin narrates a surreal animated ode to the Métis freedom fighter and founder of the province of Manitoba.

It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.

Documentary featuring interviews with director Guy Madden and his collaborators

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

Guy Maddin flies to Kansas City, Missouri, in a vain attempt to save cinema as it continues to die from contempt and neglect.

A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?

Toronto filmmaker Alan Zweig analyzes the phenomenon of record collecting.

A medieval cult travels to the 20th century and kills people in an attempt to bring about the end of the world. The policeman must stop them by summoning the spirit of Nostradamus.

Interviews with Guy Maddin and his pals are included in this documentary about the Canadian film-maker's life and movies. Features clips from most of Maddin's films up to Twilight of the Ice Nymphs, including Careful and Archangel.

An amusing melange of '60s spy thrillers and other classics. Super secret agent Nick attempts to liberate a top secret microchip from the clutches of multimillionaire Quinton Frost. Paizs pokes fun at the jet set, the Cold War and Jean-Paul Sartre.

The further adventure of Nick, Paizs' silent hero sets off to college where he meets Brock West (Winnipeg journalist and rocker Peter Jordon, aka Rocky Roletti). Unwittingly, Nick becomes involved in attempts to restore old campus hangout and the dirty political tricks swirling a hard fought student election. The film successfully weaves the tone of 40s college hijinx movies through the clever spoof of current electoral trends, suggesting how easily old fashioned ethics can turn into fashion.