The story of three brothers arises between dreams, ideals and frustrations in the context of a community rebellion to defend their river from a construction company.

While taking a road trip in their last attempt to fix their marriage, Carlos and Ofelia encounter a young mirror image of what they used to be.

See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.

A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.

A story of revenge and ambition, seduction and betrayal; all told from the perspective of an offended and abused woman named Altagracia. Altagracia represents the hundreds of thousands of Mexican women who have been victims of the violence by faceless men who are protected by impunity. But Altagracia, transformed into a strong-willed, ruthless man-eater known as La Doña, will seek out each and every one of these men to bring them to justice.

A heartbreaking story in which power, obsession, and desire will tragically mark the love between Paulina and Adrián who will fight for their love against all odds, even if it takes their life.

In this story, a musical group whose music sets the mood for Events, finds itself at a very crucial moment in its carreer. All of the members face the dilemma of fighting for their dreams or quitting forever.

Santos, a fighter finished pacheco overweight and suffers from his recent divorce with Busty Mendoza, a voluptuous and wild woman fighter. To get out of your depression, Santos begins a campaign to help Sahuayo Zombies (gray and harmless characters with which fully identifies). However, his philanthropic campaign soon becomes a very profitable business that leverages Santos for their benefit. The population becomes a zombie plague and Busty Santos threatens to dispose of them. However, the Peyote Murderer (rivals Santos) who gets rid of the zombies. But the world without zombies turns out to be worse than anyone could have imagined and the only chance to save the nation is that the Saints and the Peyote work together to return to repopulate the world Sahuayo zombies.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.

For his 50th birthday Marcos only receives an invitation to the wedding of the only woman he loved; 30 years ago. With the chinese mafia after his restaurant and the shattered dream of becoming a writer, Marcos decides to go to the wedding. Fernando, the irresponsible delivery guy joins Marcos in this cross-country adventure. Will they make it ti the wedding on time?

A married, middle-aged well-known biochemist and university teacher Augusto, leaves his wife, his job and the comfort of his life to go after Marlene, a 14-year-old teenager with extraordinary beauty who burst into his life unexpectedly. One day, Marlene is taken from the custody of Augustus by Genaro, a psychotic sailor, who seduces and finally kidnaps her by taking to the ominous port of Tampico, where Augustus will seek her to try to free her, not without giving her life to pain and atonement, undergoing a deep personal transformation.

Hidalgo, en su celda del Hospital Militar de Chihuahua, recuerda algunos pasajes de su vida, principalmente su estancia como párroco en San Felipe Torres Mochas; donde se relacionó con las clases bajas y nació la idea emancipadora, tradujo y montó al Tartufo de Molière, se enamoró de Josefa Quintana y se alejó por algún tiempo de la vida eclesiástica.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

Marcelo and Sofía love each other, but both suspect the other of infidelity. Marcelo, a film director, accidentally discovers condoms in Sofía’s purse. They are really for Marcelo’s younger sister, but he thinks the discovery confirms his suspicions and keeps one as evidence. Sofía discovers the condom in Marcelo’s wallet and takes for granted that he is cheating on her. Pepe, Marcelo’s cousin, pretends to be him to impress a girl, further complicating the mix up.

The lives of five women facing a world full of sex, infidelities and secrets.

Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi

Many stories of families within an urban complex.

An abused wife (Cecilia Roth) seeks information about her dead mother, a freedom fighter buried in Antigua.

Violeta lives with her uncle because her mother died soon after she was born and she never knew her father, she stays with her grandmother from time to time as well. Violeta has a boyfriend named Ángel who gives her a pet dog. While at her grandmother's house, Violeta discovers a time machine that her grandfather built, so she and her friends travel to different time periods. They visit several important events in Mexican history, learning these stories firsthand.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

The story is set at a prestigious, but rigid and repressive school called Instituto Vidal. Its strict owner, Julia Vidal, was once kind but has now turned into a bitter woman following the death of her husband and her daughter, Lauriel. Her granddaughter, Ana, a very sweet and intelligent 10 year old, also has been affected by the death: She has been rendered virtually speechless by the trauma, though she expresses herself through music and possesses an extraordinary ability to move objects with her mind. Ana's unscrupulous father, Francisco Capistrán, however, has taken advantage of the situation to try to steal Julia's school. The timely arrival of Ana's uncle, Salvador, Amanda and her adopted son changes everything. Ana’s sad and lonely life takes an unexpected turn for the better and she regains her joy in a series of adventures bursting with humor, excitement, music and thrilling surprises.

A tragicomic short film imbued with magical realism that revolves around the theme of death, focusing specifically on the Mexican people's bond with the departed.

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

A Spanish movie directed by Carlos García Agraz.

Mexican telenovela remake of the Brazilian soap opera "Todo o nada". Patricia is a sensitive and intelligent woman who begins to work in the firm of Ambrosio and César Augusto (father and son). They both fall in love with her, but César Augusto breaks off his relationship with his girlfriend, Valeria and marries her. Patricia and César Augusto will separate, however, they will meet again later having totally different lives: she is a working woman and he is married to another woman.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Rosa salvaje is a Mexican telenovela that was broadcast in 1987. It starred the popular Mexican actress Verónica Castro, who played the main character, "Rosa", co-starring with Guillermo Capetillo as her love interest and Laura Zapata as the villain of the story. This telenovela was a huge success in Mexico, Latin America, Bulgaria, Croatia, Serbia, Bosnia and Herzegovina, Russia, Estonia, China the United States, Indonesia and provided the template for numerous other Latin American soap operas in terms of story, plot twists and characters for years to come.

Carrusel is a Mexican telenovela, produced by and first broadcast on Televisa in 1989. It covers daily life in a Mexican elementary school and the children's relationships with a charismatic teacher named Jimena. Among other plot devices, it deals with the differences between the upper and lower classes of Mexican society — specifically as seen in a romantic relationship between Cirilo, a poor black boy, and a spoiled rich girl, Maria Joaquina Villaseñor.

This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.