Portrait photographer Elsa Dorfman found her medium in 1980: the larger-than-life Polaroid Land 20x24 camera. For the next thirty-five years, she captured the “surfaces” of those who visited her studio: families, Beat poets, rock stars, and Harvard notables. As pictures begin to fade and her retirement looms, Dorfman gives Errol Morris an inside tour of her backyard archive.

The US writer Henry Miller (1891-1980), scandalous and nonconformist creator, hated by the most recalcitrant puritans, was a vilified genius, considered a threat, accused of being a sexist, of consciously pursuing the destruction of every civic principle; but he was also someone venerated as a saint, as a sex guru; and today as one of the most important characters of the twentieth century.

In this documentary Anais Nin is shown at work, at home, and talking with and about her influences: D.H. Lawrence, Otto Rank, Henry Miller, Lawrence Durrell, Martha Graham, Noguchi, Kenneth Anger, Maya Daren, Edmund Wilson, Lou Andreas-Salome and others.

From an underwater grotto the "guru" arrives to preside over birth from a mineral cave, then to guide the new-born, first through endless doors and corridors, then monstrous jaws and barricades that cause the fragmentation of the woman. Then she emerges from the test by fire, saved and made whole again by water and the "guru" who continues on through the final apertura.

Lord Shiva wakes. A convocation of magicians in the guise of figures from mythology; a masquerade party at which Pan is the prize. The wine of Hecate is poured: Pan's cup is poisoned by Shiva. Kali blesses the assembly as a bacchic rite ensues.

A pulsating city symphony of light, movement, and electronic music, transforming Times Square in the 1950s into what Hugo’s wife, the writer Anaïs Nin, called "an ephemeral flow of sensations.”

A perfect fusion of poetry and film, with dense layered imagery and music from electro pioneers Louise and Bebe Barron. The writer Anaïs Nin provides dialogue from her novella “House of Incest” and appears adrift in the undersea realm of Atlantis before ascending to dry land.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.