Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

A heavily indebted film producer tries to get back on his feet by producing a film starring Kim Novak. He also hopes to start a new relationship with his estranged son.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

The renowned Insurance International Co. has created an enquiry network, headed by detective Jack Clementi, to defend itself against insurance fraud. Jack has saved the company enormous amounts of money throughout his successful investigations and his bosses are more than willing put up with his brusque manners, his disconcerting frankness, and his intolerance for any form of company bureaucracy. Yet he is a big guy with a huge heart.

Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native American girl helps both outlaws and plays both sides against each other.

A wealthy playboy gathers a group of bourgeois friends at his isolated beach house for a weekend of relaxation. When bodies start pilling up, they realize they’re trapped with a killer in their midst, sending them in a frenzy to figure out who amongst them is killing the others before they are killed next.