Follows two friends working in a canteen who take part in a cooking competition on TV.

Yakut Stepan Beresekov periodically falls into a lethargic sleep. Only a Russian, the son of a priest, Ivan Popov, can distinguish his condition from real death. But Popov is going on a long ethnographic expedition. Stepan decides to follow his savior so as not to be buried alive.

After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.

During the day, Lera studies humankind and its needs through opinion polls, which are an educational practice at the institute; at night, she dances under the pseudonym Gerda in a club to support herself and her mother. The people she meets are as unfortunate as her family. Her father has recently left for another woman, but he constantly returns home, unable to make his choice and thereby making the life of close people intolerable. The mother painfully endures the breakup and constantly sleeps, ignoring reality. Lera doesn’t know how to carry on, where to go and what to live for, and — most importantly — how to improve life. The adult world, invariable unfortunate, which Lera observes day and night, seems hopeless.

When their father suddenly dies on holiday, his three children who haven’t spoken in years must work together to bring his corps home.

When Arthur learns that his daughter has escaped to "battle with the word of vices", he follows her. He firmly believes that anyone can be saved by love. Will a father's love win the battle against fanaticism?

Shortly after the fall of the iron curtain, 12-year-old Kovas, travels to his mother, Viktorija’s homeland for the first time. It has been 20 years since Viktorija escaped the USSR and has now returned to reclaim her beloved family estate.

He considers himself a genius but the publishers refuse to print his works. He loves women but they don’t always understand him. Constantly without money and out of touch with reality. The elegant fop Daniil Yuvachov names himself Kharms- a name just as effective as his appearance. An habitué of unending literary get-togethers and a lover of scandal. Living in society he is completely separate from it. Kharms throws down a gauntlet to his time, audaciously hurling himself into the vortex of reality, just as vague and arbitrary, with the same contradictions, as represented by his spirit.

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

An NKVD interrogator is about to meet and question a talented writer he himself never was able to succeed. For to be strong and convincible he prepares for an interrogation and rehearses.

A man named Valentine is alone on Valentine's Day., and it drives him mad. Meanwhile, other couples are experiencing their own problems.

The film is based on the novel by Romualdas Granauskas, winner of the Lithuanian National Cultural and Arts Award, and is the chronicle of a young man’s shifting relationships as he adjusts rather dramatically to the unfamiliarity of freedom. The film will be shown in Lithuanian with English subtitles. Duburys won the Silver Crane Award in Lithuania. It has been selected as Lithuania’s entry for this year’s Oscar nomination in the foreign language film category. Duburys was entered in the Montreal World Film Festival, Tallinn Black Nights Film Festival and has been invited to Cairo International Film Festival and the Museum of Modern Art in New York.

Based on a true story, during World War II, four Jewish brothers escape their Nazi-occupied homeland of West Belarus in Poland and join the Soviet partisans to combat the Nazis. The brothers begin the rescue of roughly 1,200 Jews still trapped in the ghettos of Poland.

Following a traumatic experience, Gaile, a speech therapist, is incapable of feeling any emotion. However, while preparing a video presentation for a scientific conference, she sees herself on screen and is surprised to find suppressed sensations returning to her, primarily feelings of aggression. Gaile decides to try an experiment. With the help of a man and his video camera she stages various provoking situations and shows the result to those involved. Throughout the experience she is unable to perceive the value of normal emotions, or even the possibility that someone may have feelings for her